Born Again Full Album Black Sabbath

1983 studio album by Black Sabbath

Built-in Again
Studio album by Black Sabbath
Released	seven August 1983 (1983-08-07)
Recorded	May 1983
Studio	The Manor (Oxfordshire)
Genre	Heavy metallic
Length	41:04
Label	Vertigo
Producer	Black Sabbath, Robin Black
Black Sabbath chronology
Mob Rules (1981) Built-in Over again (1983) Seventh Star (1986)

Born Over again is the eleventh studio album past English heavy metallic band Black Sabbath. Released in Baronial 1983, information technology is the only album the grouping recorded with lead vocalist Ian Gillan, all-time known for his work with Deep Royal. Information technology was too the terminal Black Sabbath album for nine years to feature original bassist Geezer Butler and the concluding to feature original drummer Pecker Ward, though Ward did tape a studio rails with the ring 15 years later on their 1998 live album Reunion. The album has received mixed reviews from critics,^[1] but was a commercial success upon its 1983 release, reaching No. 4 in the UK charts.^[two] The album besides hitting the top twoscore in the U.s..^[three] In July 2021, guitarist and founding member Tony Iommi confirmed that the long lost original master tapes of the anthology had been finally located, and that he was considering remixing the album for a future re-release.^[4]

Origins [edit]

Following the departure of vocalist Ronnie James Dio and drummer Vinny Appice in 1982, Sabbath'south future was in doubt. The ring switched management to Don Arden (Sharon Osbourne'southward male parent) and he suggested Ian Gillan as the new vocalist.^[v] "That band was put together on paper," guitarist Tony Iommi revealed in the 1992 documentary Black Sabbath: 1978–1992. "We'd never apposite."

The band had considered vocalists such every bit Robert Plant and David Coverdale earlier settling on Gillan.^[6] They even received an audience tape from a and so-unknown Michael Bolton.^[five] Iommi told Hit Parader magazine in tardily 1983 that Gillan was the best candidate, saying "His shriek is legendary." Gillan was at outset reluctant, but his manager convinced him to meet with Iommi and Butler at The Bear, a pub in Oxford. After a night of heavy drinking,^[five] Gillan officially committed to the project in February 1983.^[7]

The project was originally intended to be a new supergroup, and the members of the grouping had no intention of billing themselves every bit Blackness Sabbath.^[five] At some point after recording had been completed, Arden insisted that they utilise the recognizable Sabbath name, and the members were overruled.^[5] "We thought we were doing a kind of Gillan-Iommi-Butler-Ward album…" recalled bassist Geezer Butler. "That is the mode nosotros approached the anthology. When we had finished the anthology, we took it to the record company and they said, 'Well, here'due south the contract: it is going to become out every bit a Black Sabbath anthology."^[eight]

Born Again featured the render of founding member Beak Ward on drums, who was newly sober later on leaving the ring in 1980 to deal with his alcoholism.^[9] Ward began drinking again near the terminate of the sessions and returned to Los Angeles for treatment once the album was completed, and has remained sober ever since.^[5] Ward has said that he enjoyed making the album, which remains his terminal studio album with the band.^[10]

Recording [edit]

Sabbath began recording in May 1983 at Richard Branson'southward Estate Studio, in the Oxfordshire countryside.^[xi] Producer Robin Black had worked with the band in the mid-1970s, as engineer on Sabotage.

In his autobiography, Iommi recounts Gillan informing him that, during sessions, he planned to live outside the house in a marquee tent: "I thought he was joking, but when I arrived at the Manor I saw this marquee exterior and I idea, fucking hell, he's serious. Ian had put up this big, huge tent. It had a cooking expanse and a bedroom and whatever else." Gillan brought an immediacy to the songwriting that was uncommon for Sabbath: "Ian's lyrics were about sexual things or true facts, even about stuff that happened at The Manor there and then," Iommi recalls in his memoir. "They were good, merely quite a departure from Geezer's and Ronnie's lyrics." For case, Gillan returned from a local pub one evening, took a car belonging to drummer Ward, and commenced racing effectually a go-cart track on the Manor Studio belongings. He crashed the automobile, which outburst into flames after he escaped uninjured. He wrote the anthology'southward opening "Trashed" about the feel.^[5]

"Disturbing the Priest" was written after a rehearsal space – set up by Iommi in a small edifice about a local church – received noise complaints from the resident priests.^[five] "We wanted this upshot on 'Disturbing the Priest'," recalled the guitarist, "and Beak got this large bucket of water and he got this anvil. Information technology was actually heavy, and he'd got it hanging on a piece of rope and lower it in to get this event: hit it and lower information technology in, and and so lift it out once more. It was a great outcome, but information technology took hours to do."^[12]

"I did some of the best drum piece of work on that album…" Pecker Ward recalled. "On 'Disturbing the Priest', at that place were some polyrhythms and some counterpoint things that I was doing, and I was using at least twenty unlike pieces of percussion towards the cease of that song… I was real proud of a lot of the piece of work that I did. Some of it invariably got lost in the mix, but I know that it'south printed on those tracks."^[13]

The band got along well, just information technology became apparent to all involved that Gillan's style did not quite mesh with the Sabbath sound. In 1992, he told director Martin Baker, "I was the worst singer Blackness Sabbath ever had. Information technology was totally, totally incompatible with any music they'd ever washed. I didn't wear leathers, I wasn't of that image...I remember the fans probably were in a total land of confusion." In 1992, Iommi admitted to Guitar World, "Ian is a great vocalist, but he'south from a completely unlike background, and information technology was difficult for him to come in and sing Sabbath material."

"I saw Ian get into the studio one day," Ward recalled, "and I was fortunate and honoured, actually, to be part of a session. I watched him lay tracks on 'Keep Information technology Warm'… I felt like Ian was Ian in that vocal… I watched this incredible transformation of this man that really, I felt, delicately put lyrics together. It fabricated sense. I thought he did an excellent job. And I actually dig that vocal likewise."^[14]

When the ring heard the final product, they were horrified at the muffled mix. In his autobiography, Iommi explains that Gillan inadvertently blew a couple of tweeters in the studio speakers by playing the backing tracks too loud and nobody noticed. "We just thought it was a bit of a funny sound, but information technology went very wrong somewhere between the mix and the mastering and the pressing of that album...the sound was really irksome and muffly. I didn't know almost information technology, because we were already out on tour in Europe. By the time we heard the anthology, it was out and in the charts, but the sound was atrocious."

For all his misgivings, Gillan remembers the period fondly, stating in the Black Sabbath: 1978–1992 documentary, "Simply by God, we had a good yr...And the songs, I recollect, were quite good."

Breakup [edit]

Following the tour supporting Born Once again, this version of Black Sabbath fell autonomously, with Gillan and Ward departing. The tour was also a breaking point for Butler, who admits in the Blackness Sabbath: 1978–1992 documentary, "I just got totally disillusioned with the whole affair and I left some time in 1984 after the Born Over again tour. I simply had enough of it." In 2022 Butler clarified to Dave Everley of Archetype Stone: "I left because my second kid was born and he was having problems, so I wanted to stay with him. I told Tony I couldn't concentrate on the ring anymore. Merely I never savage out with anybody." Butler says the looming Deep Purple reunion played a big office in Gillan's decision to leave.^[15] Disagreements with management also contributed to the band's dissolution.^[15] Bevan would briefly return to the Sabbath fold in 1986-87 to record cymbal overdubs for the album The Eternal Idol.

Anthology embrace [edit]

The cover – depicting what Martin Popoff described as a "garish red devil-baby" – is by Steve 'Krusher' Joule; a Kerrang! designer who also worked on Ozzy Osbourne'south Speak of the Devil. It is based on a black-and-white photocopy of a photograph published in a 1968 magazine.^[16] The same photograph was used for 12-inch versions of Depeche Way's "New Life".

"I didn't take any participation in the anthology cover," recalled Bill Ward. "When I saw it, I hated information technology."^[fourteen]

Ian Gillan told the press that he vomited when he first saw the picture. However, Tony Iommi approved the cover,^[17] which has been considered ane of the worst ever.^[1] Ben Mitchell of Blender called the cover "awful".^[eighteen] The British magazine, Kerrang!, ranked the cover in 2d place, behind just the Scorpions' Lovedrive, on their list of "x Worst Anthology Sleeves in Metal/Hard Rock". The list was based on votes from the magazine's readers.^[19] NME included the sleeve on their listing of the "29 sickest album covers ever".^[20] Sabbath's manager Don Arden was quite hostile towards the band's ex-vocalizer Ozzy Osbourne, who had recently married his manager Sharon,^[21] and was fond of telling Osbourne that his children resembled the Built-in Again embrace.^[21]

Release and reception [edit]

Professional ratings

Review scores
Source	Rating
AllMusic	[i]
Blender	[18]
The Rolling Rock Album Guide	[22]
Sputnikmusic	2/5[23]
Metallic Forces	eight/x[24]
Martin Popoff	x/10[25]

Born Again was released in August 1983^[i] and was a commercial success. It was the highest charting Black Sabbath anthology in the United Kingdom since Sabbath Bloody Sabbath (1973) and became an American Tiptop 40 hit.^[26] Despite this, it became the starting time Black Sabbath anthology to not have whatsoever RIAA certification in the U.s.a..

The album received mixed reviews upon its release.^[27] AllMusic'southward Eduardo Rivadavia wrote that the album has "gone down as 1 of heavy metal'south all-time greatest disappointments" and described "Zero the Hero", "Hot Line", and "Keep It Warm" equally "embarrassing".^[one] Blender contributor Ben Mitchell gave the album one out of five stars and claimed that the music on Built-in Again was worse than its cover.^[18] Martin Charles Stiff, the author of The Essential Rock Discography, wrote that it was "an practise in heavy-metal cliché".^[28] However, Popmatters correspondent Adrien Begrand has noted the album as "overlooked".^[27] The British magazine Metallic Forces defined it "a very good album" even if "Gillan may not be the perfect frontman for the Sabs".^[24]

Despite the overall negative reception with critics, the album remains a fan favorite. Author Martin Popoff has written that "if any album in the history of Blackness Sabbath is getting a new set of horns up from metalheads here deep into the new century, information technology'due south Born Once more."^[7] Industrial metal band Godflesh and death metal band Cannibal Corpse both have covered "Zero the Hero", the former appears on the Masters Of Misery - Black Sabbath: The Earache Tribute anthology while the latter is featured on the Hammer Smashed Confront EP. Cannbibal Corpse's former singer, Chris Barnes, has called Built-in Again his favourite Black Sabbath anthology.^[29] "Zero the Hero" has as well been cited equally the inspiration for the Guns Northward' Roses hit "Paradise Metropolis",^[thirty] and in his autobiography Iommi too suggests the Beastie Boys may have borrowed the riff from "Hot Line" for their hit "(You Gotta) Fight For Your Correct (To Party!)". Metallica drummer Lars Ulrich has chosen Built-in Again "ane of the best Black Sabbath albums".^[31] Neb Stevenson, former drummer of Black Flag, stated the band was listening to the album around the time of My War, defining songs like "Trashed" and "Disturbing the Priest" as "ideal".^[32]

In 1984, Ozzy Osbourne stated that the album was the "best matter I've heard from Sabbath since the original grouping bankrupt up".^[33] Butler has pointed to "Cipher the Hero" and "Agonizing the Priest" equally his favorites on the album.^[fifteen] In 1992 Iommi confessed to Guitar World, "To be honest, I didn't like some of the songs on that anthology, and the production was awful. Nosotros never had time to test the pressings after it was recorded, and something happened to information technology past the time information technology got released."

A re-mastered 'Deluxe Expanded Edition' of Born Again was released in May 2011 by Sanctuary Records. It included several live tracks from the 1983 Reading Festival originally featured on BBC Radio 1's Friday Rock Show. Though the release was remastered, it was not remixed due to the disability to locate the original master tapes, as well every bit Sanctuary non wanting filibuster the release in an endeavour to locate said tapes for a remix.^[34]

In 2021, Tony Iommi claimed that the original master tapes, long idea lost, had been found and that he was because remixing them for an eventual release.^{[35] [36]}

Born Over again Tour and Stonehenge props [edit]

Co-ordinate to Iommi'due south autobiography, Ward began drinking over again about the end of the Built-in Over again recording sessions and returned to Los Angeles for treatment. The band recruited Bev Bevan, who had played with The Move and ELO,^[37] for the upcoming tour in support of the new anthology. Gillan had all the lyrics to the Sabbath songs written out and plastered all over the stage, explaining to Martin Baker in 1992, "I couldn't get into my brain whatever of these lyrics...I cannot soak in these words. There's no storyline. I can't relate to what they mean." Gillan attempted to overcome the problem by having a cue book with plastic pages on stage, which he would turn with his foot during the show. However, Gillan did not anticipate the "six buckets" of dry ice that engulfed the stage, making it incommunicable for the singer to see the lyric sheets. "Ian wasn't very sure-footed either," Iommi writes in his memoir. "He once vicious over my pedal board. He was waving at the people, stepped back and, bang!, he went arse over caput big fourth dimension." Gillan also told Birch that it was Don Arden's thought to open the show with a crying baby blaring over the speakers and a dwarf made to wait exactly like the demonic baby depicted on the Born Again album encompass miming to the screaming. "We noticed a dwarf walking around the twenty-four hours before the opening show...And we're saying to Don, 'We retrieve this is in the worst possible sense of taste, this dwarf, you know?' And Don'south going, 'Nah, the kids will love it, information technology'll be great.'"

The tour is most infamous, however, for the gigantic Stonehenge props the ring used. Iommi recalls in his autobiography that it was Butler's idea just the designers took his measurements the wrong way and thought it was meant to be life-size. Months subsequently, while rehearsing for the tour at the Birmingham NEC, the phase set arrived. "Nosotros were in stupor," writes Iommi. "This stuff was coming in and in and in. It had all these huge columns in the back that were as broad as your average sleeping room, the columns in front were about 13 feet high, and we had all the monitors and the side fills as well every bit all this stone. It was fabricated of fiberglass and wood, and bloody heavy." The set would be lampooned in Rob Reiner's 1984 rock music mockumentary This Is Spinal Tap, with the band having the opposite trouble of having to use miniature Stonehenge stage props. Butler has said that he told the associate scriptwriter of the moving-picture show the story of the band'southward performances with their "Stonehenge" stage props.^[38] In an interview for the documentary Black Sabbath: 1978–1992, Gillan claims Don Arden had the dwarf walk beyond the height of the Stonehenge props at the start of the evidence and, as the tape of the screaming baby faded away, fall back "from about thirty-five feet in the air on this large pile of mattresses. Then, 'Dong!' The bells start and the monks come out, the whole affair. Pure Spinal Tap." The band toured Europe first, playing the Reading Festival (a functioning that is included on the 2011 deluxe edition of Built-in Again) and besides playing in a bullring in Barcelona in September. Sabbath performed Gillan's hit with Deep Purple, "Fume on the Water", on the tour, with Iommi explaining in his memoir, "it seemed like a bum bargain for him not to do whatsoever of his stuff while he was doing all of ours. I don't know if we played it properly but the audience loved information technology. The critics moaned; it was something out of the bag and they didn't want to know then." In October, the band took the Stonehenge set up to America but could simply use a portion of information technology at most gigs considering the columns were too high. The set was eventually abandoned. A music video for "Zero the Hero" was likewise released, featuring operation footage of the band onstage interspersed with scenes involving several grotesque characters performing experiments on a witless young man in a haunted house filled with rats, roosters and a roaming equus caballus.

Track listing [edit]

Standard Edition [edit]

All songs credited to Tony Iommi, Geezer Butler, Beak Ward, and Ian Gillan, except where noted.

Side A

No.	Title	Length
1.	"Trashed"	iv:16
2.	"Stonehenge" (Instrumental)	one:58
three.	"Disturbing the Priest"	5:49
4.	"The Dark" (Instrumental)	0:45
5.	"Zero the Hero"	7:35

Side B

No.	Championship	Writer(s)	Length
six.	"Digital Bitch"		3:39
seven.	"Born Again"		half-dozen:34
eight.	"Hot Line"	Iommi, Butler, Gillan	4:52
9.	"Keep It Warm"	Iommi, Butler, Gillan	v:36

2011 Deluxe Edition Disc 2 [edit]

Tracks three-eleven recorded live at the Reading Festival on Sabbatum, August 27, 1983 and first aired on Friday Stone Evidence via BBC Radio i.^[34]

Bonus Tracks

No.	Title	Length
1.	"The Fallen" (previously unreleased anthology session outtake)	4:30
2.	"Stonehenge" (extended version)	4:47

Live at the Reading Festival August 27, 1983

No.	Title	Writer(southward)	Length
3.	"Hot Line"		4:55
iv.	"War Pigs"	Butler, Iommi, Ozzy Osbourne, Ward	7:25
five.	"Black Sabbath"	Butler, Iommi, Osbourne, Ward	7:11
6.	"The Dark"		ane:05
7.	"Zero the Hero"		vi:55
eight.	"Digital Bitch"		three:34
ix.	"Iron Human being"	Butler, Iommi, Ozzy Osbourne, Ward	7:41
x.	"Fume on the Water"	Ritchie Blackmore, Gillan, Roger Glover, Jon Lord, Ian Paice	4:56
xi.	"Paranoid (Features a small portion of the intro to Heaven & Hell with Gillan doing his signature harmonics)"	Butler, Iommi, Ozzy Osbourne, Ward	4:18

Personnel [edit]

Black Sabbath

• Ian Gillan – vocals
• Tony Iommi – guitars, guitar furnishings, flute
• Geezer Butler – bass, bass effects
• Bill Ward – drums, percussion

Additional musicians

• Geoff Nicholls – keyboards
• Bev Bevan – drums (on 2011 Deluxe Edition – Disc two, tracks iii–eleven)

Credits^[39]

• Steve Barrett – fine art banana
• Black Sabbath – producer
• Robin Black – producer, engineer
• Stephen Chase – engineer, assistant engineer
• Paul Clark – co-ordination
• Hugh Gilmour – liner notes, design, reissue design, original sleeve design
• Ross Halfin – photography
• Steve Joule – artwork, cover blueprint
• Peter Restey – equipment technician
• Ray Staff – remastering
• Chris Walter – photography

Release history [edit]

Region	Date	Label
United kingdom	August 1983	Vertigo Records
Usa	4 October 1983	Warner Bros. Records
Canada	1983	Warner Bros. Records
United kingdom	1996	Castle Communications
United Kingdom	2004	Sanctuary Records

Charts [edit]

See likewise [edit]

• Born Again Tour 1983

References [edit]

1. ^ ^{a b c d e} Rivadavia, Eduardo. "Built-in Once more > Overview". Allmusic . Retrieved 1 November 2009.
2. ^ "Gillan the Hero". Archived from the original on xviii Oct 2009. Retrieved 1 November 2009.
3. ^ "Billboard Top 200". Billboard . Retrieved one November 2009. ^{[ permanent expressionless link ]}
4. ^ Blabbermouth (26 June 2021). "TONY IOMMI Says Original Tapes For BLACK SABBATH'due south 'Built-in Once more' Anthology Have Been Found: 'I'm Thinking Of Remixing' Information technology". BLABBERMOUTH.NET . Retrieved fourteen November 2021.
5. ^ ^{a b c d e f k h} Iommi, Tony (2011). Iron Man: My Journey Through Heaven and Hell with Black Sabbath. Da Capo Press. ISBN978-0306819551.
6. ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW printing. p. 201. ISBN1-55022-731-9.
7. ^ ^{a b} Popoff, Martin (2006). Black Sabbath: Doom Allow Loose: An Illustrated History. ECW press. p. 198. ISBN1-55022-731-9.
8. ^ Swedish TV interview, broadcast April 1994, transcribed past Ola Malmström in Sabbath fanzine Southern Cantankerous #14, p19, October 1994
9. ^ Popoff, Martin (2006). Blackness Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 197. ISBN1-55022-731-9.
10. ^ Wright, Michael. "Nib Ward Tells Sabbath Tales and Talks Reunion". Archived from the original on 29 June 2011. Retrieved four September 2010.
11. ^ Thompson, Dave (2004). Fume on the Water: The Deep Regal Story. ECW Press. p. 234. ISBN1-55022-618-5.
12. ^ Scott, Peter (May 1998). "Tony Iommi Interview". Southern Cantankerous (Sabbath fanzine) #21. p. 46.
13. ^ Schroer, Ron (October 1996). "Beak Ward and the Manus of Doom – Part III: Disturbing the Peace". Southern Cross (Sabbath fanzine) #eighteen. p. 25.
14. ^ ^{a b} Schroer, Ron (October 1996). "Bill Ward and the Paw of Doom – Part Three: Disturbing the Peace". Southern Cross (Sabbath fanzine) #xviii. p. 24.
15. ^ ^{a b c} "Geezer Butler Discusses Veganism, Religion, Politics, Surveillance, and Life Lessons". bryanreesman.com. 27 March 2014. Retrieved ane September 2019.
16. ^ Siegler, Joe. "Black Sabbath Online: Born Again". Black Sabbath Online. Archived from the original on 14 January 2012. Retrieved 7 August 2017. ...the outset prototype of a baby that I institute was from the front cover of a 1968 magazine called Mind Alive [...] we bashed the whole matter out in a dark – Steve Joule interview
17. ^ Popoff, Martin (2006). Black Sabbath: Doom Allow Loose: An Illustrated History. ECW press. p. 206. ISBN1-55022-731-9.
18. ^ ^{a b c} Mitchell, Ben. "Born Again – Blender". Blender. Archived from the original on 29 August 2010. Retrieved three September 2010.
19. ^ "BLABBERMOUTH.NET – 10 Worst Album Sleeves in Metal/Difficult Rock". Blabbermouth.net. Archived from the original on 27 August 2004. Retrieved 4 September 2010.
20. ^ "Pictures of NSFW - the 29 sickest album covers ever - Photos - NME.COM". NME . Retrieved iv September 2010.
21. ^ ^{a b} Osbourne, Ozzy (2011). I Am Ozzy. Thou Central Publishing. ISBN978-0446569903.
22. ^ "Black Sabbath: Album Guide". Rolling Stone. Archived from the original on 27 April 2012. Retrieved 5 June 2012.
23. ^ neekafat. "Born Again". Sputnikmusic.com . Retrieved 16 October 2019.
24. ^ ^{a b} Barnell, Graham (1983). "Black Sabbath – Born Over again". Metal Forces (2). Retrieved i July 2012.
25. ^ Popoff, Martin (1 November 2005). The Collector's Guide to Heavy Metal: Volume ii: The Eighties. Burlington, Ontario, Canada: Collector'south Guide Publishing. ISBN978-ane-894959-31-5.
26. ^ Thompson, Dave (2004). Fume on the Water: The Deep Purple Story. ECW Press. p. 237. ISBN1-55022-618-five.
27. ^ ^{a b} Begrand, Adrien. "Alice Cooper: Portrait of the Creative person as a Burnt-Out One-time Human < PopMatters". PopMatters . Retrieved 3 September 2010.
28. ^ Strong, Martin Charles (2006). The Essential Rock Discography. Canongate Books Ltd. p. 97. ISBN978-1-84195-827-9.
29. ^ Mudrian, Albert, ed. (2009). Precious Metal: Decibel Presents the Stories Backside 25 Extreme Metal Masterpieces . Da Capo Press. p. 158. ISBN978-0-306-81806-6. Blackness Sabbath Born Over again.
30. ^ Popoff, Martin (2006). Black Sabbath: Doom Allow Loose: An Illustrated History. ECW press. p. 210. ISBNi-55022-731-9.
31. ^ "BLABBERMOUTH.Net – METALLICA's LARS ULRICH: 'Metal Is Like Herpes — It Never Goes Abroad'". Blabbermouth.internet. Archived from the original on eight September 2012. Retrieved iv September 2010.
32. ^ Chroma, Steven; Petros, George (2001). American Hardcore: A Tribal History. Feral House. p. 73. ISBN9780922915712.
33. ^ Hogan, Richard."Is Sabbath turning Purple?" (PDF). Archived from the original (PDF) on 18 December 2005. Retrieved 2012-07-11 . . Circus Magazine 02-29-84
34. ^ ^{a b} Blabbermouth (12 Apr 2011). "BLACK SABBATH'due south 'Born Once again' Deluxe-Expanded-Edition Reissue Was Remastered, Not Remixed". Blabbermouth.net . Retrieved ix August 2020.
35. ^ "TONY IOMMI Says Original Tapes For BLACK SABBATH'south 'Born Once again' Album Have Been Establish: 'I'm Thinking Of Remixing' It". Blabbermouth.net. 26 June 2021. Retrieved 17 December 2021.
36. ^ "Black Sabbath: Tony Iommi Considera Remixar O Álbum Born Again E Lançar Box Com Discos Da Era Tony Martin". Rockbizz.com.br. 26 June 2021. Retrieved 17 December 2021.
37. ^ Bevan, who was even so a fellow member of ELO in 1983, had a long-time relationship with Don Arden, every bit all of ELO's albums from 1975'southward Face the Music forward were recorded for Arden's Jet Records label.
38. ^ Popoff, Martin (2006). Black Sabbath: Doom Allow Loose: An Illustrated History. ECW press. pp. 215–216. ISBN1-55022-731-nine.
39. ^ "Built-in Once more > Credits". Allmusic . Retrieved 4 September 2010.
40. ^ "Offizielle Deutsche Charts" (in German). offiziellecharts.de. Retrieved 25 October 2021.
41. ^ "Blackness Sabbath - Born Again". Hung Medien. Retrieved 25 October 2021.
42. ^ "Black Sabbath - Born Over again". Hung Medien. Retrieved 25 October 2021.
43. ^ "Black Sabbath - Born Again". Hung Medien. Retrieved 25 Oct 2021.
44. ^ "Black Sabbath | full Official Nautical chart History". Official Charts Company. Retrieved 25 Oct 2021.
45. ^ "Chart History". Billboard. Retrieved 25 October 2021.

External links [edit]

• Built-in Again at Discogs (list of releases)

ryderhathemand1973.blogspot.com

Source: https://en.wikipedia.org/wiki/Born_Again_%28Black_Sabbath_album%29

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